Hata no Kokoro: Unterschied zwischen den Versionen

| Name Kanji = {{ruby-ja|秦|はたの}} こころ

| Portrait = [[File:Th145Kokoro.png|x325px|Hata no Kokoro]]

''Hata no Kokoro in [[Antinomy of Common Flowers]]''

*{{H:title|{{lang|ja|亡失のエモーション}}|Die verlorene Emotion}} ([[Hopeless Masquerade]], [[Urban Legend in Limbo]])

{{nihongo|'''Hata no Kokoro'''|秦 こころ}} ist ein [[Menreiki]] [[Youkai]]. Ihr erster Auftritt ist in ''[[Hopeless Masquerade]]'' als Endboss auf.

Kokoro hat üblicherweise eine ruhige und kindliche Persönlichkeit, aber auch eine Vorliebe fürs Schauspiel, und braucht ihre Masken um ihre Emotionen vernünftig zu zeigen. Man könnte sagen die Emotionen werde in den Masken gespeichert, z.B. als sie ihre Maske der Hoffnung verlor, wurde ihr Verhalten sehr unberechenbar. Davor, aber, war sie sehr ruhig und hat kaum Emotionen gezeigt. Nach den Ereignissen von ''[[Hopeless Masquerade]]'', hat sie es geschafft ihre Persönlichkeit zu stabilisieren, indem sie ein Selbstbewusstsein entwickelte.

[[Koishi Komeiji|Koishi]] die Besitzerin der originalen Maske der Hoffnung, sagt dass sie wie eine [[Wikipedia:de:jizo|Jizō-Statue]] aussieht.

Kokoro benutzte schon einige Ersatzmasken, als Versuch ihre instabilen Emotionen wieder herzustellen, einschließlich Festivalmasken, welche nicht sehr effektiv sind, und eine Maske die von [[Toyosatomimi no Miko|Miko]] gemacht wurde die so effektiv war dass die Maske dafür sorgen hätte können dass Kokoro nicht mehr als Youkai existieren würde.

Hata no Kokoro ist ein [[Menreiki]], eine Art [[Tsukumogami]], durch 66 Masken, die von [[Wikipedia:Hata no Kawakatsu|Hata no Kawakatsu]] benutzt wurden, im 6. Jahrhundert geboren. Die Masken wurden alle zu [[Tsukumogami]]s und sind dann zum [[Youkai]] Kokoro verschmolzen, dann tauchte sie irgendwann in [[Gensoukyou]] auf.

Hata no Kawakatsu is known as the father of [[wikipedia:Sarugaku|Sarugaku]] theatre (a precursor to [[wikipedia:Noh|Noh]]), and is the centre of a legend which would connect him to [[Mononobe no Futo]], [[Toyosatomimi no Miko]], [[Myouren Temple]], and perhaps even [[Moriya Shrine]].

In the legend, as told in [[wikipedia:Zeami|Zeami]]'s [[wikipedia:Zeami#Fūshikaden|Fūshikaden]], Kawakatsu was found in a jar as a baby on a river near [[wikipedia:Ōmiwa jinja|Oomiwa Shrine]] during the reign of Emperor Kinmei. He grew up to be a genius, so the court made him a minister and given the surname Hata. When the country was in turmoil, Prince Shoutoku ordered Kawakatsu to perform 66 plays following [[Shinto]] and [[Buddhism|Buddhist]] traditions, and had 66 masks made for this purpose. These plays became the first [[wikipedia:Kagura|Kagura]], from which [[wikipedia:Sarugaku|Sarugaku]] was later derived.

After passing down the secret of his plays, Kawakatsu rode a boat and drifted out to the sea to uphold the tradition that non-human deities and [[Buddha]]s mustn't leave physical remains. He next came ashore in monstrous form, and haunted the surrounding area until he was enshrined by the local people as {{nihongo|Great Rage Daimyoujin|大荒大明神|Taikou Daimyoujin}}, who was later regarded as an avatar of [[Bishamonten]].

The story starts with Kokoro losing her mask of hope, causing the emotions embodied in her remaining masks to go berserk and begin draining the hope from the [[Human Village]]. This in turn lead the humans to latch onto religious leaders as sources of hope, as part of the "duelling fad".

[[Reimu Hakurei]] and the others participate in the religious popularity contest and are eventually guided by [[Mamizou Futatsuiwa]] to the Human Village at night, where Kokoro searches in vain for her lost mask. Most of the characters who try to stop her come up with their own solutions to her hopelessness, including [[Byakuren Hijiri]] teaching her Buddhism to control her own emotions and [[Toyosatomimi no Miko]] making her a replacement mask of hope, but none of them completely work.

Mamizou notices the contradictory actions Kokoro is taking and offers her own advice, which is to stop relying on the masks and discover her own, true emotions through meeting (and fighting) a variety of people. In the process of doing so she discovers her own anger at the religious leaders who are taking advantage of the situation, and Reimu, Byakuren, and Miko team up to stop her. Byakuren and Miko both claim that their solutions solved the problem, and Kokoro is invited to the [[Hakurei Shrine]] to perform [[wikipedia:Kagura|Kagura]] as an offering to the gods.

Some time during the ending of her ''Hopeless Masquerade'' route, Kokoro performs Noh at the [[Hakurei Shrine]] in an attempt to stabilise her emotions, hiding her identity as a [[youkai]]. While popular at first, audiences are unable to understand her "play", which turns out to be based on illustrations from an old tengu parody. Noticing this, [[Mamizou]] approaches Kokoro and helps write ''[[Shinkirou]]'', a modernised comedy based on the events of the religious war.

While she was still alive, Miko created the 66 masks which Kokoro was born from. Miko later makes Kokoro a new mask of hope to replace her lost one. However, Kokoro discarded this mask, as its stabilising effect was so powerful that it would eventually cause her to turn back into a set of inanimate objects. Her feelings towards Miko over this are unknown.

Mamizou keeps an eye on Kokoro during the events of ''[[Hopeless Masquerade]]'' and gives her some advice to help her develop. Afterwards she helps write ''[[Shinkirou]]'' for Kokoro to perform.

*A silhouette of Kokoro occupies the front of ''[[Hopeless Masquerade]]'''s jewel case.  

　そう指摘された彼女は、人間や、妖怪の表情を学ぶべく旅に出た。

| text = オカルト名　「口裂け女」

 

必殺技を使うたびに感情モードが切り替わり <br/>

射撃などの性能が目まぐるしく変化する情緒不安定キャラ <br/>

 

オカルトアタックの「美的カウンター」は、１ラウンド <br/>

１回限り攻撃してきた相手へカウンターを決める万能当身技 <br/>

一度成功させると以後は霊気の刃物を飛ばす射撃攻撃に <br/>

| translation =